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Hi-Fi: Accumulated Tuning Tips

These are accumulated system tuning tips I've learned, mostly the hard way, about getting the best from a hi-fi system.

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Isolation is Essential
Place speakers (or their stands) on spikes and adjust them so that they don't rock.  Do the same for equipment stands.  Even a power amplifier benefits from a spiked stand rather than being placed on the floor.  A bicycle inner tube is excellent between two shelves to form a very effective isolation platform.  Aurios Media Isolation Bearings are much better, but costly.

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Get That CD Player and Turntable Level
Levelling source components is important, especially if using with Aurios MIB or similar isolation bearings.  Use a spirit level and balance everything up in both planes, adjusting the floor spikes as necessary.  If there are no adjustable spikes, use slivers of wood until everything is level.  This not only improves the sound, but ensures that motor bearings will last a lot longer.

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Mains Matters
If you power your system from switched mains sockets, swap them out for good quality MK unswitched types.  A basic Kimber Yello mains cable makes a dramatic upgrade from the basic moulded types supplied with equipment.  Power the source/preamp components from a different socket set to the power amp/subwoofer.  Going further, mains filtering (e.g. Isotek) or synthesis (e.g. PS Audio) can transform your system.

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Warm it Up Thoroughly
I remain astonished at how long equipment needs to be left on to achieve its best performance.  In fact, I don't switch my system off at all.  I wouldn't advocate that with valve equipment, but if you can afford the idle consumption, this is a good way to get your system singing sweetly.

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Running-in
I have had lively discussions in the CIX hi-fi conference about running-in and warming-up of equipment.  My system was definitely run-in, but it had been in storage for three months.  When I set it up and listened after a quick warm-up, it was so 'hot' it could cut glass.  It took a week for things to settle down and sound good (without making any changes).  This repeat lesson makes me more than ever aware that you can't just listen to equipment from cold, nor evaluate it at home for just a day.  You stand no chance of getting to know what it really sounds like.  I'm also convinced that you must at least leave things on standby if you want it to sound good for a listening session.

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Speaker Positioning and Toe-in
If at first it doesn't sound clean or image well, try fine tuning the speaker placement.  Toe-in can also change the way your system sounds, depending on how directional your speakers are.  A good tip is to listen to one speaker only (disconnect the other channel) and get it sounding right in mono.  When you have everything just so, stereo will sound wonderful.

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Keep Those Contacts Clean
Re-seat connectors once a year.  If you have bare wire speaker terminals, cut 1" off and reconnect using a fresh copper section.  Use a contact cleaner for even better resistance to oxidation.

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Get Rid of the TV
I made the mistake of having my (32" widescreen CRT) TV centrally located between the speakers in order to optimise my system for viewing films as well as listening to music.  Removing it gave me the single best improvement in imaging, especially depth of soundstage.  I was surprised because I thought that a 'ghost' image could not be affected by something physically in the way, but it did.

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Room Layout
My speakers now throw down the length of the room, as opposed to across its width.  Despite their proximity to the rear and side walls, they sound smoother and image better than before.  The biggest impact has been to the bass.  The subwoofer is now closer to the r/h speaker and a room corner and its bass output is both deeper and more powerful.  Its pitch definition is much better and the power of low frequency output is really exhilarating on church organ and similar music.

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Drapes & Room Dampening
My room started out quite live, but not dramatically so.  The system sounded too 'hot' for my liking.  I waited until all our curtains and blinds were up and things warmed up considerably.  It may sound obvious, but how many times do we really experiment with big changes to the room acoustics and take note of them?